Music Glossary: systems
Call-and-Response PracticeImprovise a “call,” then answer it with a contrasting or resolving phrase. Trains phrasing, conversation, and audience engagement. more
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Build solos from tiny interval cells (e.g., 1–b3–5). Sequence, invert, and transpose through changes for modern, intervallic lines. more
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Constraint PracticePractice with limits (one string, two notes, one rhythm). Constraints expose weaknesses and strengthen core musicality. more
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A classic bebop device: surround a target tone from above and below (chromatic/diatonic) before landing. Creates tension-release and clear resolution. more
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Harmonic SuperimpositionIntentionally imply substitute chords (triads, pentatonics) over the harmony. Use sparingly and resolve to chord tones to “come home.” more
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Work on laying back or sitting ahead of the beat deliberately. Record to a click/loop to refine consistency and pocket. more
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Pre-chosen chord tones (often 3rds/7ths) you aim for on strong beats. Connect to them with scales, approaches, or enclosures for melodic direction. more
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Transcribe-and-Translate MethodTranscribe phrases, then “translate” them to all keys, grooves, and tempos. The goal is concept absorption, not rote licks. more
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Upper-Structure Triads PracticeUse triads built on extensions (e.g., over V7 play a bII major triad for b9/11). Creates colorful lines and fast chord recognition. more
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