Music Glossary: [Page 14]

Open voicings created by dropping 2nd/3rd highest chord tone by an octave. more

More in the Harmony and Chords category...

Four-note chord with the 3rd voice from the top dropped; useful for bass-friendly spreads. more

Replacing a section by dropping into record over an existing take, then punching out to preserve the rest. more

More in the Studio, recording and mixing category...

Fast breakbeats (160–180 BPM) with heavy basslines and intricate programming. more

More in the Genres and Forms category...

Blend crushed parallel bus for weight while preserving transient clarity on the dry path. more

More in the Drum Programming and Groove Design category...

Applying human feel from a reference performance; quantize selectively to keep pocket. more

More in the DAW Editing and Comping category...

Standard kit mapping (x-heads for cymbals); stems/voices for limbs. more

More in the Notation and Engraving category...

Kick and bass coordinate accents, length, and rests to define the groove foundation. more

More in the Rhythm Section Craft advanced category...

Data/audio delivery pipelines from labels/distributors to streaming platforms that populate catalogs and credits. more

More in the Platforms and ecosystems category...

Consistent fields: artist, contributors, writers, splits, producers, explicit flag, genre, mood, artwork specs. more

Audio, art, credits, lyrics, ISRC/UPC, territories, pricing, preview start. more

Reggae-derived studio form using mixing-board effects, dropouts, and heavy bass. more

More in the Genres and Forms category...

Term varies by jurisdiction; often life of author + 70 years (compositions). more

More in the Copyright FAQs category...

Frequency-dependent compression that tames harshness or sibilance only when triggered. more

More in the Mixing and Mastering category...

High-level control of level, filter, and density across sections to shape the emotional arc. more

More in the Arrangement and Orchestration category...

Balance tutti chords from bottom up; stronger lows, tapered highs. more

More in the Orchestration by Function category...

Difference between the noise floor and maximum level (noise-limited or headroom-limited). more

More in the Audio Theory and Acoustics category...

Verse down, chorus up; use sticks/brushes, playing surfaces, and register to craft arc. more

More in the Rhythm Section Craft category...

Volume indications from ppp to fff and hairpins; relative in context and room. more

More in the Orchestration and Notation category...

Place dynamics under the staff (vocal above lyrics), align hairpins with events, and avoid collisions. more

More in the Notation and Engraving Advanced category...

Contour across sections via touch, muting, and density; crescendos by addition, not just volume. more

More in the Rhythm Section Craft advanced category...

Respond to hand signals and talkback quickly; memorize dynamic map. more

More in the Session Musicianship category...

Apps and web tools that drill intervals, chords, progressions, and rhythm with spaced repetition and analytics. more

First discrete bounces arriving after the direct sound; dominate apparent source width and clarity. more

More in the Audio Theory and Acoustics category...

Short, concrete words and images; avoid filler; show, don’t tell. more

More in the Songwriting Craft category...

Play fewer, better notes; leave space for vocal and hooks. more

More in the Rhythm Section Craft category...

Broad umbrella for club-oriented electronic genres focused on rhythm and drops. more

More in the Genres and Forms category...