Music Glossary: [Page 18]
FOH vs MON WorkflowClear responsibility split; comms between engineers; snapshot management. more
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Live Sound
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FolkTraditional and contemporary song forms emphasizing lyrical storytelling and acoustic textures. more
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Genres and Forms
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Form Landmarks CallingMark and announce chorus tops, turnarounds, bridges with clear phrases. more
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Improvisation
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Form MappingSketch sectional plan (intro–A–B–bridge–outro) and energy curve before voicing details. more
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Arrangement and Orchestration
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Form Recognition by EarMap intro/verse/chorus/bridge from arrangement cues and energy. more
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Ear Training Advanced Drills
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Formant & Vocal SynthesisVowel filters, formant shifting, and vocoding for vocal-like tones. more
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Electronic Production and Sound Design
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FrequencyNumber of cycles per second of a periodic waveform, measured in hertz (Hz); perceived as pitch. more
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Audio Theory and Acoustics
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When overlapping instruments compete for the same frequency band; solved by EQ carving, panning, or arrangement choices. more
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Mixing and Mastering
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Metal bars setting semitone positions; wear, size, and material influence feel and intonation. more
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Instruments and guitar tech
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Full-Range, Flat-Response speakers used with amp modelers for consistent, mic’d-cab-style tone. more
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Instruments and guitar tech
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FugueContrapuntal form with subject entries in imitation; uses episodes, stretto, and sequence. more
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Genres and Forms
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Fully DiminishedDiminished triad + diminished seventh; symmetrical, strong leading tendencies. more
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Harmony and Chords
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Functional Ear TrainerApps/drills playing cadences into a key; identify degrees by function, not absolute pitch. more
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Ear Training Practice Drills and Apps
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Functional Harmony by EarMapping tonic, predominant, dominant functions in real time; listen for cadences and leading tones. more
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Ear Training Drills, Tools and Methods
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FX Loop PlacementTime-based effects often sound clearer in the amp’s loop (post-preamp) versus in front for high-gain amps. more
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Guitar Bass Tone and Pedalboard Engineering
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Gain Before FeedbackMax usable level before feedback occurs; improved with mic choice, placement, EQ, and pattern control. more
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Live Sound
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Gain Before Feedback (Live)The usable level before feedback occurs; improved by mic choice/placement, patterns, EQ notches, and stage layout. more
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Live Sound Engineering FOH Monitors
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Gain StagingSetting levels at each stage to maximize headroom and minimize noise/distortion. more
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Recording and Production
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Gain Staging (Drives)Stack low/medium gain pedals for texture; set levels so noise stays low and dynamics remain responsive. more
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Guitar Bass Tone and Pedalboard Engineering
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Target consistent channel headroom (e.g., peaks around -10 dBFS) into buses & plugins. more
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Mixing and Mastering
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Managing levels across the mix chain to maintain headroom and avoid plugin distortion; aim for -6 dBFS peak on the stereo bus. more
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Mixing and Mastering
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GamelanIndonesian ensemble tradition with metallophones, gongs, and cyclical forms. more
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Genres and Forms
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Gap-Click PracticeMetronome mutes for bars to test internal time; aim to land on the click when it returns. more
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Ear Training Drills, Tools and Methods
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Spare cables/strings/sticks/tubes; DI+mic to hedge against failure. more
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Session Musicianship
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Generation born roughly from the early 2010s onward. Fully digital natives, they consume music primarily through short-form video, algorithmic play... more
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Audience cohorts
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Projected generation following Gen Alpha, born from the mid-2020s onward. Expected to grow up in mixed-reality environments where AI, AR, and VR ar... more
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Audience cohorts
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Approx. mid-1960s–early-1980s births; strong catalog/physical buyers and concertgoers. more
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Audience cohorts
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