Music Glossary: [Page 22]

Re-recording a part (interpolation) avoids master use but still requires publishing clearance. more

Using familiar song openings to remember interval sounds (e.g., “Here Comes the Bride” = P4 ascending). more

Training to recognize the distance between two notes (melodic/harmonic). Start with perfects and majors/minors, then add tritones. more

Associate intervals with famous tune openings; wean off landmarks as skill grows. more

Identifying distances between pitches (melodic/harmonic); foundation for transcription. more

Sing up/down specific intervals from a reference pitch to connect ear, voice, and instrument. more

Adjust string length and height for tuning accuracy and playability; check relief and nut slot depth. more

In free field, SPL decreases 6 dB per doubling of distance from a point source. more

Chord with non-root in bass (1st, 2nd, 3rd inv.); shapes bass lines and smooth voice-leading. more

Include PO/track/cue IDs, bank details, tax info, W-9/W-8 or VAT notes, and delivery confirmation. more

Major scale mode with natural 7; stable, consonant tonal center. more

Database of works/masters with ISRC/ISWC, splits, cue sheets, licenses, and registration statuses. more

Isolation stops sound transmission between rooms; absorption reduces reflections inside the room—different problems, different solutions. more

Unique code for each recording used for royalty tracking across DSPs, broadcasters, and collections. more

International Standard Recording Code identifying individual recordings for royalty tracking and database linkage. more

International Standard Musical Work Code identifying compositions for publishing and performance royalty collection. more

Interaural Time and Level Differences cue lateral localization; ITD low-mid, ILD high frequencies. more

Standard unbalanced audio connector for guitars and many line-level devices. (¼") more

Improvisation-based African American art form blending swing rhythm, blues harmony, and diverse styles. more

Melody + chord symbols, slashes, repeats, DS/DC; clear roadmaps. more

Timing variability of the sampling clock causing low-level modulation or distortion. more

Co-authors share ownership unless otherwise agreed; splits should be documented. more

Hear pure intervals vs 12-TET compromises; useful for vocal/strings tuning. more

Choose keys for singer comfort; use up-steps (e.g., +2 semitones) for final lift. more

Set of sharps/flats at the staff start indicating the diatonic collection of a movement. more

Common staff configurations for unpitched/multi-percussion setups (1-line/2-line). more

Zone splits for bass/pads/leads; velocity layers and aftertouch mapping. more